Fingersmith by Sarah Waters
We had been a bit ambitious with only 3 weeks between meetings to try and get through this book, so understandably, there were a few members who hadn’t managed to finish it. With that in mind, the rest of us really tested ourselves by discussing themes AND avoiding spoilers. We agreed that the twists in this novel need to be experienced, so despite how very laid-back everyone was about it all, we committed to a spoiler-free meeting.
Again, it was lovely to have a cup of luke-warm mulled wine (my fault) in the beautiful Reading Room of the Insole Court House. As always, see below for some discussion points and thoughts on Fingersmith and some suggested further reading/watching.
Some of the Victorian language a bit irritating as its unexplained.
Story is good.
Discussed the theme of human trafficking, comparing it to today.
The idea of being out of your depth and totally isolated.
Who do you trust?
How innocent are people really?
Initial thoughts of Gentleman, a love-able rogue.
Loved the book jacket review ‘pea souper Gothic’.
Men play pivotal roles but plot devices only.
Liked the descriptions of the paths that people taken around the Briar.
Lant Street offers a weird stability.
The Uncle compared to Poirot but more of a bully.
Sue’s brother and sister in the Borough provide a contrast, they represent Borough-life.
Mrs Sucksby is considered a benign motherly figure. She has a lot of power as a working
We compared her to the little power that Maud had as a more privileged woman.
- Sarah Waters on Radio 4, chatting about Fingersmith, through BBC iplayer
- Tipping the Velvet and The Little Stranger by Sarah Waters
- The Woman in White by Wilkie Collins
Have you got any <spoiler-free> thoughts on Fingersmith? Feel free to share below.
Our next book club book is The House of the Spirits by Isabel Allende, meeting on Tuesday 29th January, 7 – 8.30/9pm, in the Reading Room of Insole Court House.